Your talent deserves
a system.

Cohort work is free. The studio bill goes to the brand, not the creator. You don't pay the studio for discovery, brand briefs, growth strategy, content cadence, ASCI-aligned disclosure, or contract handling — those are part of the cohort. If you choose to use the studio's optional production services for a specific shoot — editor, cameraperson, studio day, post-production beyond the basics — those sit outside the cohort and are billed at studio rates. Most creators bring their own production; nothing is mandatory.

No. The studio bill goes to the brand, not the creator. Brand procurement gets two clean lines on the invoice — the creator's collaboration fee, and a separate agency line for the studio's work. The studio earns from the agency line. The creator's fee is the creator's, paid by the brand, on the brand's normal terms.

Optional. The cohort doesn't require it; many creators self-produce. If you want studio production for a specific campaign, we'll quote at studio rates before the work starts — clear line items, no surprises. Production is a service you choose, not a condition of being in the cohort.

Even better. We'll help you renegotiate the existing ones at higher value and source better-fit partnerships in the same quarter. Coming in with deals already is a strength, not a disqualifier.

Ongoing. It's structured in 90-day milestones with a quarterly review — not a fixed-end syllabus. We stay on as long as the work keeps going and the relationship is productive.

We talk. A milestone missed once is a conversation. Twice is a reset of the plan. Three times is an honest exit — we're not here to carry creators who don't show up. The programme is a commitment both ways.

Yes — the programme doesn't restrict your outside deals. That said, most creators find that once the studio's brand pipeline is active, the quality and pay of AURA-matched campaigns exceeds what they were sourcing solo.

Instagram, YouTube, and X at launch. LinkedIn for B2B creators, added case-by-case. Platform-specific craft is part of the curriculum — we adapt training to where you actually publish.